 |
|  |
Vivaldi (Drew) SIX SONATAS (orig. for cello) |
SKU: SCH110
Composer: Vivaldi, A.
Editor/Arranger: Drew
Title: SIX SONATAS
Other: All six sonatas use bass clef exclusively. Very little thumb position. Entire collection in orchestra tuning.
Title: SONATA No. 1
Concert Key: Bb
Tuning: Orchestra
Difficulty: 3.5
Other: Bass and piano (originally for cello and continuo). Four-movement work. Highest pitch is the halfway harmonic on the G string. Entirely in bass clef.
Title: SONATA No. 2
Concert Key: F
Tuning: Orchestra
Difficulty: 4.0
Other: Bass and piano (originally for cello and continuo). Four-movement work. Highest pitch is the halfway harmonic on the G string. Entirely in Bass clef. Use of dotted rhythms and "hooked" bowings.
Title: SONATA No. 3
Concert Key: A minor
Tuning: Orchestra
Difficulty: 4.0
Other: Bass and piano (originally for cello and continuo). Four-movement work. Highest pitch is A just above the halfway harmonic on the G string. Entirely in bass clef.
Title: SONATA No. 4
Concert Key: G minor
Tuning: Orchestra
Difficulty: 3.2
Other: Bass and piano (originally for cello and continuo). Four-movement work. Highest pitch is the halfway harmonic on the G string. Entirely in Bass clef. The slurs of the last movement could be troublesome for less advanced students.
Title: SONATA No. 5
Concert Key: E minor
Tuning: Orchestra
Difficulty: 3.5
Other: Bass and piano (originally for cello and continuo). Four-movement work. Highest note is A above the halfway harmonic on the G string. Entirely in Bass
clef. Some compound lines have potentially awkward double and triple string crossings.
Title: SONATA No. 6
Concert Key: Bb
Tuning: Orchestra
Difficulty: 3.3
Other: Bass and piano (originally for cello and continuo). Four-movement work. Highest pitch is A just above the halfway harmonic on the G string. Entirely in Bass clef. Mixed triplets and dotted subdivisions.
______________________________
|
|
 |