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Karr-Lewis |
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This recording is undoubtedly the best example of Karr's special lyricism to date. His inaudible bowing changes transform these magnificent songs (originally for solo piano) into a seemingly vocal rendition that highlight the extraordinary beauty of Mendelssohn's melodic genius. Both Karr and Lewis feel a special affinity for this music. 1. G Minor Op. 102, No. 4 - 2. E Major Op. 19, No. 1 - 3. E Major Op. 38, No. 3 - 4. A Major Op. 102, No. 5 - 5. B Minor Op. 85, No. 1 - 6. F Major Op. 67, No 5 - 7. D Major Op. 109 (Posthumous) - 8. C Major Op. 102, No. 3 - 9. F Major Op. 53, No. 4 - 10. G Major Op. 62, No. 1 - 11. E Major Op. 30, No.3 - 12. Bb Major Op. 85, No. 6 13. D Major Op. 102, No. 2 - 14. A Major Op. 19, No. 4 - 15. G Minor Op. 19, No. 6 (Venetian Boat Song) - 16. Eb Major Op. 30, No. 1 - 17. F# Minor Op. 30, No. 6 (Venetian Boat Song) - |
