| B164
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| Ray Brown Bass Method |
| Legendary jazz bassist Ray Brown reveals his lessons and teaching philosophy in this in-depth book. |
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| B90
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| Coolman The Bottom Line |
| The ULTIMATE bass line book. Contains 23 chapters on bass line construction and other areas such as sound production, practicing, special" effects, blues/rhythm, slow/fast tempos and time/feel. Review exercises included for each chapter |
| In Stock |
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| B370
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| Baker Practicing Jazz: A Creative Approach |
| by David Baker. A much heralded jazz practice method from leading educator/performer David Baker. David condenses a wealth of experience and knowledge into practice-specific ideas and exercises for all musicians. Subjects covered include practice goals, techniques and strategies, hearing, transcribing, playing with play-a-longs and “actual” recordings, tune memorization, self evaluation and much more. |
| In Stock |
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| B122
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| Busch Jazz Bass Compendium |
The Right Hand
General
The Position of the Right Hand
Effect on the Sound
Effect on the Timing
Exercises for the Right Hand
Basic Exercises
Crossing Strings
Various Groupings
The Right Hand Three Finger Technique
Exercises for the Three Finger Technique
Rhythmic Exercises
Preliminary Exercises:Drops
The Left Hand
The Left Hand Position
Exercises for the Left Hand
Intonation
Exercises to Strengthen the Left Hand
Left Hand Pizzicato
Preperation
Articulation
Intonation Exercises Combined With Shifting
Positions
Shifting Positions Combined With Crossed Strings
Studies in Shifting Positions
Vibrato
The Trill
Coordinating Both Hands
Various Exercises
Walking Bass
And much more! |
| In Stock |
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| B216
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| Friedland Jazz Bass |
| This book/CD pack features over 50 examples covering walking bass, the two feel, 3/4 time, Latin, and ballads. It covers soloing, performance protocol, and includes seven complete tunes.
72 pages |
| Check for Availability |
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| BIL171
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| B367
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| Moore The Michael Moore Bass Method |
| by Michael Moore. A first of its kind approach to the learning of double bass, incorporating traditional classical studies with practical jazz and popular music applications. Michael Moore, who has been at the top of the jazz bass scene since his arrival in New York in the 1960s, and pioneer of jazz education Clem DeRosa, combine to produce an easy to follow method designed for individual or classroom application. |
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| B404
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| B19
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| B168
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| Moore Method for String Bass |
| Method book and CD
The B Position
The C Position
The C# or D flat Position
Moving Positions by Hitting the Targets
Gettin' Started
The B flat or A3 Position
Example from Gettin"stated
A Dream - Solo Example
The D Position
Flipper - Solo Example
The A Position
Record Date - Solo Example
The D3 or E flat Position
Apache - Solo Example (Bridge)
Lazy Frog - solo Example
Harmonic Minor Scale
The B Position HM (A Harmonic Minor)
Orpheus - solo Example
Now Here - Solo Example
The F# Position HM (E Harmonic Minor)
Autumn - Solo Example
Altered Rhythm Changes in G - Solo Example
The C Position HM (B flat Harmonic Minor)
Exercises
The C# Position HM (B flat Harmonic Minor)
Exercises
The A Position HM ( G Harmonic Minor)
Exercises
The C# Position HM (B Harmonic Minor)
Exercises
The A Position HM (G Harmonic Minor)
Hosts and Guests - Solo Example (Bridge)
Correct Positions for Playing in the Thumb Position
The Diminished Scale
The Pentatonic Scale
The Melodic Minor Scale
Big Hug - Solo Example
10ths and 7ths and Double Stops
The Lilter
Chili Dogs at Midnight
Conclusion
About he Author
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| B346
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| Pease/Pullig Modern Jazz Voicings |
| The definitive text used for the time-honored Chord Scales course at Berklee College of Music, this book concentrates on scoring for every possible ensemble combination and teaches performers and arrangers how to add color, character and sophistication to chord voicings. |
| In Stock |
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| B352
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| Halberstadt Mataphors for the Musician |
| A "perspective from a jazz pianist" that is helpful to all jazz musicians. This book was designed to be a supplement to books dedicated to jazz piano or jazz theory. While some of the book does focus primarily on piano, we felt that there were several "nuggets" of wisdom that can be applied to all musicians that play jazz. The theory described in this work is truly unique and has the potential to be very helpful to the reader. |
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| B359
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| Pease Jazz Composition |
| When you think of jazz composers, who comes to mind? Jelly Roll Morton, Charlie Parker, Dizzy Gillespie, Thelonious Monk, Charles Mingus, Bob Brookmeyer. This book is about what they (and many others) do. Jazz composition has evolved into a disciplined art that often evidences great emotional depth and breadth of sophistication. Berklee College of Music legend Ted Pease demystifies the processes involved in writing jazz tunes and in composing episodic and extended jazz works. Jazz Composition: Theory and Practice is a by-product of Pease's 25 years of teaching jazz composition. The accompanying CD helps demonstrate melody, harmony and rhythmic elements of jazz and also includes a variety of music-writing exercises focused on learning these same elements to help you begin producing your own effective jazz compositions. |
| In Stock |
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| B416
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| Chuck Sher Foundation Exercises for Bass |
| A creative approach for any style of music, acoustic upright or electric bass guitar. This book's a great start for players who wish to CROSSOVER from electric bass to upright bass. |
| In Stock |
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| B92
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