| INT3057
|
|
|
|
| CFE29
|
|
|
|
| LIB100
|
|
 |
| Bach SONATA #1 IN G MAJOR for Bass and Piano |
Liben Music -- Bach SONATA #1 IN G MAJOR for Double Bass and Piano
Transcribed and edited by Frank Proto from the Gamba Sonata No. 1.
This edition includes two solo bass parts: In G Major for orchestra tuning and in F Major for solo tuning. |
| In Stock |
|
|
|
|
|
|
|
|
|
|
| INT2091
|
|
|
|
| HOF3266
|
|
|
|
| INT2291
|
|
|
|
| LIB101
|
|
|
| Beethoven SONATA IN G MAJOR for Bass and Piano |
Beethoven SONATA IN G MAJOR for Double Bass and Piano
Piano and Bass in G Major.
Includes Piano score in orchestra tuning and Bass part.
Transcribed and edited by Frank Proto from the Horn Sonata Op. 17.
With orchestra tuning piano part. |
| In Stock |
|
|
|
|
|
|
|
|
|
|
| LIB101A
|
|
|
|
| DOB43
|
|
|
|
| LED21389
|
|
|
|
| CFE12
|
|
|
|
| CFE13
|
|
|
|
| INT2118
|
|
|
|
| YOR80023
|
|
|
| Bottesini Arias for Bass & Piano |
Giovannini Bottesini
Arranger: Rodney Slatford
Bottesini Arias for Double Bass and Piano
Piano in G major and Bass in F major.
|
| In Stock |
|
|
|
|
|
|
|
|
|
|
| INT2101
|
|
|
|
| INT2301
|
|
|
| Bottesini (Buccarella) CONCERTO, No. 2, in B minor |
SKU: INT2301
Composer: Bottesini, G.
Editor/Arranger: Buccarella
Title: CONCERTO, No. 2, in B minor
Concert Key: B minor
Tuning: Solo, bass reads A minor, piano plays in B minor
Difficulty: 9.2
Other: Bass and orchestra (piano reduction). Three-movement work. Highest pitch
is A, three octaves and a major second above the open G string. Uses bass and
treble clefs, no tenor clef is used. The entire work is notated such that the performer
must "play one octave higher throughout." Editor gives bowings, but no fingerings.
______________________________
|
| In Stock |
|
|
|
|
|
|
|
|
|
|
| YOR80072
|
|
|
|
| TRU32108
|
|
|
|
| DOB06
|
|
|
| Bottesini (Malaric) CONCERTO, No. 2, in B minor |
Tuning: Solo, bass reads A minor, piano plays in B minor
Difficulty: 9.2
Bass and orchestra (piano reduction). Three-movement work. Highest pitch is A, three octaves and a major second above the open G string. Uses bass and treble clefs, no tenor clef is used. The entire work is notated such that the performer must "play one octave higher throughout." |
| In Stock |
|
|
|
|
|
|
|
|
|
|
| HOF2209
|
|
|
|
| LIB103
|
|
|
|
| BIL102
|
|
|
|
| INT3263
|
|
|
|
| BIL103
|
|
|
|
| DOB046
|
|
|
|
| MESA81
|
|
|
|
| TRU32093
|
|
|
| Bottesini PIECES FOR DOUBLE BASS & PIANO |
Bottesini Pieces for Double Bass and Piano
Contains:
Elegia in D major
Elegia in E minor No2
Elegia in E minor No3
Tarantella
Fantasy La Sonnambula
Intoduzione e Gavotta
Nel Cor Piu Non Mi Sento
Allegro Di Concerto Alla Mendelssohn
|
| In Stock |
|
|
|
|
|
|
|
|
|
|
| INT1912
|
|
|
|
| INT1707
|
|
|
|
| INT3155
|
|
|
| Bruch KOL NIDREI Op. 47 for Bass and Piano (Sankey) |
SKU: INT3155
Composer: Bruch, M.
Editor/Arranger: Sankey
Title: KOL NIDREI
Concert Key: D minor
Tuning: Orchestra
Difficulty: 6.5
Other: Bass and piano (originally for cello and orchestra). Work in one movement.
Highest pitch is F near the end of the fingerboard on the G string. Uses tenor and
treble clefs almost exclusively. Has some octave leaps.
______________________________
|
| Check for Availability |
|
|
|
|
|
|
|
|
|
|
| YOR80045
|
|
|
| Yorke Complete Bottesini for Double Bass and Piano |
| YOR80045 Yorke Complete Bottesini for Double Bass and Piano Volume 2
Contents:
I. Allegretto Capriccio
II. Romanza Drammatica (Eligie) Op. 20
III. Fantasia "I Puritani"
IV. Fantasia "Lucia do Lammermoor" |
| In Stock |
|
|
|
|
|
|
|
|
|
|
| YOR80060
|
|
|
| Yorke Complete Bottesini for Double Bass and Piano |
Yorke Complete Bottesini for Double Bass and Piano Volume 3
Double Bass and Piano in Orchestra tuning.
Contents:
I. Elegy and Tarantella
II. Meditazione (Aria di Bach)
III. Fantasia "Cerrito"
|
| In Stock |
|
|
|
|
|
|
|
|
|
|
| INT3637
|
|
|
|
| SCH101
|
|
|
| Bach for the Young Bass Player (Zimmermann) |
(Editor, Fred Zimmermann)
Contents: Chorale, Hymn, Musette, Minuet, Polonaise, Minuet, Air, Minuet, Sarabande, Prelude.
|
| Check for Availability |
|
|
|
|
|
|
|
|
|
|
| INT3662
|
|
|
| Brahms SONATA NO. 1 IN E MINOR , OPUS 38 |
| Brahms SONATA NO. 1 IN E MINOR , OPUS 38
Transcribed and edited by Thomas Martin
Originally for cello, this new transcription made effective for the bass by Thomas Martin, former principle bassist of the London Symphony Orchestra. |
| In Stock |
|
|
|
|
|
|
|
|
|
|
| INT1564
|
|
|
|
| INT3670
|
|
|
|
| INT3682
|
|
|
| Bottesini (Martin) TWO CAPRICES (di Bravura & Allegretto) |
Giovanni Bottesini (1821-1889)
CAPRICIO di BRAVURA and ALLEGRETTO CAPRICCIO "Caprice a la Chopin"
Editor: Thomas Martin, 2013
Level: Advanced
Giovanni Bottesini (1821-1889)
CAPRICIO di BRAVURA and ALLEGRETTO CAPRICCIO "Caprice
a la Chopin"
Editor: Thomas Martin, 2013
Level: Advanced
As with Two Elegies and Two Melodies the two caprices are quite
different both in musical terms and technical demands.
Capriccio di Bravura, with its beautiful "Andante" introduction
and technically demanding and exciting "allegro con fuoco," goes beyond
the "piece de salon" format to join the larger scale works of the
composer. In a number of high passages, the performer must choose between pushing
the string to the side, the use of harmonics, or a mixture of both techniques.
Allegretto Capriccio, also known as "Caprice a la Chopin,"
is a classic example of a "piece de salon." Based on the popular (then
as now) Valse in C# minor, Opus 64, No.2 by Frédéric Chopin, it
is a charming composition with some very interesting use of the instrument.
Thomas Martin, July 2013 |
| In Stock |
|
|
|
|
|
|
|
|
|
|
